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Flint Youth Theatre, December 2017
Influenced by WWII-era British classical music and partnering with an immersive, theatre-spanning walking design from all departments, I scored both environment and music to plant the audience directly into Narnia.
The audience was greeted outside the wardrobe to BBC news reports and air raid sirens, crossed through the wardrobe into a howling winter wind, trekked into a forest with birds and insects, followed the Witch with a creepy, haunting tone, and found Aslan at the Stone Table with regal horns and springtime soundscapes. Fight scenes were scored with pounding drums that shook the house, the Witch’s spells planted a deep low tone that enveloped her terrifying demeanor, and our heroes were joined by a chorus of angelic symphony notes.
This was by far one of my most challenging and delightful designs. It spanned across two speaker systems and covered almost every space in Flint Youth Theatre. There was rarely a moment where the audience was not experiencing sound.
Directed by Michael Lluberes, Costume design by Adam M Dill, Scenic Design by Ray Zupp, Lighting Design by Ken Willis, Photos courtesy of Flint Youth Theatre
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